3/18/2013

** LEAFLOOD - SOLO SHOW **



the persistence of wishes



The Format - Contemporary Culture Gallery is pleased to present "The Persistence of Wishes", a solo show of the collective "LEAFLOOD" (Tommaso Fiscaletti & Alice Marrollo),  curated by Roberto Mutti.

"Once created, no structure is ever lost" Joseph Sandler

Having desires is indisputable, whil
st expressing them in a similar way to those experienced in childhood might seem surprising. Yet, since memory and desire are intimately linked in consciousness, we all retrace our steps tofind the roads already covered in childhood.
These considerations are the starting point used by Tommaso Fiscaletti and Alice Marrollo to create an originalprojec
t the outcome of which is both photographic and dramatic.
At 
centre stage a big teddy bear is sitting on a chair, and a parade of men and women are whispering their mostimportant desires in his ear. In the meantime, they sit on his lap, embracing and caressing him. Through the 14photographs and the accompanying video that make up the exhibition different attitudes are captured, in turnshowing shyness, confidence, and curiosity. They all seem to force people to interact ideally with their childhoodpast, to be denied or confirmed.
The scene is set in a clearly declared “theatrical area” as evidenced by the presence of a large red curtain 
in thebackground. Thus, on the one hand we deal with a current reflection and on the other we do it with the critical detachment that characterizes every viewer.


Tommaso Fiscaletti was born in cattolica (RN) 1981.
He Lives and works in Milan as a photographer of portraits and landscapes, working diligently to personal projects. In 2001, he began to work as a photographer in a studio and also does reportage in North Africa and Eastern Europe. A few years later his work evolves in a different way, which tries to speak about man in relation to the environment in which he lives, and nature. 
His work has been exhibited in various exhibitions and fairs, both in Italy and abroad and has won several awards. .( http://www.tommasofiscaletti.com) 
Alice Marrollo was born in Pesaro in 1982,
She lives and works in Milan as an Art Director and Graphic Designer.
Her awards and publications include: (Gold winner to "Young Creatives Competition Cannes Lion" , Gold winner to "ADCI Young Awards", Silver Winner to "New York Festival Awards", Silver Winner to "Young
Creatives Competion Cannes Lions", Catalogo Printed Matter Inc NYC, EPICA BOOK-Europe's best advertising).
Founder in 2010 of the blog Ameen Anil (http://ameenanil.blogspot.com/), through which she continues her photographic research. Co-founder in 2011 of LEAFLOOD, together with the photographer Tommaso Fiscaletti, with whom she constantly develops art and photography projects.

The exhibition was realized with the support of the Mandala Creative Production.
The artist's book in a limited edition has been produced with the assistance of Touch Magazine.


Artist: “LEAFLOOD” (Tommaso Fiscaletti & Alice Marrollo)
Title: The Persistence of Wishes
Opening: 4 April  2013, 18.30 pm
Period : from 5 to 20 April. 2013
The Format Contemporary Culture Gallery via G.E. Pestalozzi 10, Int.32, Milan (Opening : from Tuesday to monday, 15-20 pm ) http://theformatcontemporaryculturegallery.4ormat.com/gallery#1

||\|| yann tostain - certainties (in progress) ||/||









yann tostain

lasdehner straße 28
10243 berlin
info@yanntostain.com
yann tostain

3/14/2013

... | Jessica Eve Rattner | ...













"If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument."
-Eve Arnold
After years spent in India and Western Massachusetts (and most recently, Guatemala), I now live in Berkeley, California with my husband and two daughters.
I have a Masters Degree in Clinical Social Work, and have worked as a writer and editor. I think it is the same curiosity about people and their environments that led me to Social Work that now drives my photography. I am always excited and honored when someone opens their life to me and my camera. To be a compassionate and caring witness is my goal.
is the ongoing portrait of Lee, a woman whose eccentricities conceal a beauty and intelligence that most people might not easily see. I met Lee in 2003 when I moved in around the corner from her. At first, like others, I knew her as a shopping-cart pushing raider of recycling bins, a tatterdemalion with a foot-tall dreadlock of grey hair. Rain poured through the roof of her dilapidated house, a possum moved in to share the cat food. Hoarding was her lifestyle, and the floors were piled high with rotting relics of decades of her life. Lee has no heat, no running water, and uses the bathroom at a nearby Safeway store. Neighbors complain that her house is an eyesore and should be condemned before it lowers their sky-high property values. A social worker by training, I am fascinated by the cultural constructs of mental health. 

2/28/2013

:: maroesjka lavigne - Ísland ::


















Maroesjka Lavigne (b.1989, Belgium) gained her masters in Photography at Ghent University
in the summer of 2012. Her work was exhibited at the Foam Talent exhibition in Amsterdam, Netherlands, The Photoacademy award in Den Haag, Netherlands and 44 gallery in Bruges, Belgium. For ‘ísland’, the project Lavigne made in 2012, she spent four months in Iceland, driving on her own through the desolate snow-covered and blossoming landscapes of winter and spring, looking for those moments when colour, light and the subject merge into the perfect image. She self-published this work as a book (200 copies) called ‘ísland’. She is currently living and working in Ghent, Belgium.

maroesjka lavigne

2/23/2013

^^ kelly kristin jones - entrance ^^













“I make my photographs with a Mamiya 7II. Shooting medium format film allows for not only exceptional print quality, but also forces me to consider the making of images more carefully. I have to slow down, and this allows for a much more conscious photograph. I’ve tried other ways of making (both digital and large format), but have found medium format to offer the perfect balance of flexibility and intentionality.”


“With the camera I explore my personal and complex relationship to place and identity as a white woman living in an African-American community.
I wasn’t until the age of 5 or so when I finally realized I wasn’t black. My freckles had come and neighbors no longer laughed and called me “light skinned”. I was different.  Yet, this was and is still my home and my community. Photography allows me to investigate and to navigate these surroundings, my relationships and my identity.
Each photograph represents a conscious exchange between subject and photographer. Photography’s “Othering” gaze is balanced with my personal relationship to the sitter. The resulting photographs strike a delicate balance between intimacy and distance, giving and taking.
Navigating between the record and the metaphor, these images of my personal landscape consider issues of culture, race, belonging and self-image.”